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Paul Bril Feudo di Rocca Sinibalda oil painting


Feudo di Rocca Sinibalda
Painting ID::  71290
Paul Bril
Feudo di Rocca Sinibalda
1601 Oil on canvas 155 x 220 cm

   
   
     

Paul Bril Kxstenlandschaft mit Hafen oil painting


Kxstenlandschaft mit Hafen
Painting ID::  71501
Paul Bril
Kxstenlandschaft mit Hafen
Date c. 1610 Medium Oil on canvas Dimensions 107 x 151 cm

   
   
     

Paul Bril Feudo di Rocca Sinibalda oil painting


Feudo di Rocca Sinibalda
Painting ID::  71569
Paul Bril
Feudo di Rocca Sinibalda
1601 Oil on canvas 155 x 220 cm

   
   
     

Paul Bril Landschaft mit Sibyllentempel oil painting


Landschaft mit Sibyllentempel
Painting ID::  72512
Paul Bril
Landschaft mit Sibyllentempel
1595 Oil on canvas 11 x 17 cm cjr

   
   
     

Paul Bril Feudo di Rocca Sinibalda oil painting


Feudo di Rocca Sinibalda
Painting ID::  72765
Paul Bril
Feudo di Rocca Sinibalda
Date 1601 Medium Oil on canvas Dimensions 155 x 220 cm cyf

   
   
     

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     Paul Bril
     Flemish Baroque Era Painter, ca.1554-1626 Paul (1554-1626) and Mattheus (1550-1583) Brill (or Bril) were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican Seasons. Mattheus died young, and his brother continued his work around 1574. Paul painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or The Cowfield). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, spectacles). Some of these were collaborations with Johann Rottenhammer, who according to a dealer letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting (now Chatsworth House)

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     | Ortega, Martin Rico y | Ernest Walbourn | Adalbert John Volck |


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